Takuya Kanamoto’s ceramics embody the life force of clay in motion. Working in the rich Oribe tradition, his pieces ripple with mossy greens, textured folds, and elemental energy. Each work is a quiet force—cut, glazed, and fired in Nara, Japan.
Nara is a historic city in Japan, known for its cultural significance as the first permanent capital. It offers a blend of natural beauty and rich heritage, with ancient temples, shrines, and a tranquil atmosphere that reflects its deep historical roots.
Uneven,subtle glaze. The dented spots are particulary cool, since they adjust the cup very much to the hand. The combination of the white glaze with unglazed red clay parts reminds me positevly of 1970s aestetics.
