

David Louveau
Trained in Japan and rooted in a lifelong pursuit of purity in form, David Louveau’s porcelain reflects a meditative journey back to essence. His work blends rigorous technique with poetic restraint—each piece a quiet study in light, texture, and simplicity
About David Louveau (Skåne, Sweden)
David Louveau’s work embodies a return—both literal and philosophical. After decades of exploring rugged stoneware, wood-firing, and anagama kilns, his current direction is quieter, more distilled.
This shift began in 2023, following the tragic loss of his kiln. Rather than rebuild what was, Louveau chose transformation. Inspired by the Korean potter Sampei and his own foundational training in Japan, he turned to Hakuji-style porcelain—a method rooted in simplicity, balance, and grace.
His current collection emphasizes smooth, white porcelain forms that are refined yet tactile. Through layering, annealing, and controlled re-firing, David manipulates light and shadow across each vessel. The result is a deep serenity—forms that whisper, not shout.
Each cup, bowl, or pitcher is designed not just for function, but for pause. For silence. For tea.

In the spirit of David Louveau’s work, simplicity is not seen as emptiness, but as a quiet return to essence—a mindful stripping away, revealing what truly matters.

Short Bio
- Born in Guadeloupe, raised in New Caledonia (1971)
- Began ceramics journey in 1994, learning from a Japanese potter
- 2010: Trained under Kinya Ishikawa in Japan
- 2012: Moved to Quebec to continue work alongside Ishikawa
- 2015: Established workshop in La Borne, France
- Since 2016: Focus on ceramics for tea enjoyment
2018–2021: Explored anagama firing, annealing, and layering techniques
2023: Following the loss of his kiln, shifted entirely to minimalist porcelain
David works exclusively with porcelain, embracing both traditional and experimental techniques. The Hakuji method emphasizes restrained glazing and purity of shape. He often removes glazes layer by layer, fires multiple times, and anneals surfaces to achieve the depth and subtlety of his white tones.
The pieces often retain slight irregularities and soft tactile textures—inviting the hand as much as the eye. His process resists perfection, favoring instead a handmade quietude.

This exclusive release showcases a series of tea and tableware pieces by David Louveau—each carrying the story of return, resilience, and reverence for form.
Ideal for light oolongs, white teas, and any ceremony where the vessel becomes part of the meditative act.